1. 给<达芬奇密码>里的10句英文和翻译
1、A voice spoke, chillingly close. "Do not move."翻译：一个声音，从不远处阴森森地传来：“不许动！”
这是英文原版第2页，序言中的一句话，是白化病人塞拉斯追赶卢浮宫馆长索尼埃时说的一句话。
2、I must pass on the secret.我必须把这个秘密传下去。
这是在塞拉斯枪击了馆长并离开后，馆长心里最迫切的念头。
3、Symbologists often remarked that France—a country renowned for machismo, womanizing, and diminutive insecure leaders like Napoleon and Pepin the Short.符号学家常说，法国是一个因那些有男子汉气概、沉溺于女色的、像拿破仑和矮子丕平那样危险的小个子领袖而出名的国家。
这是主角兰登被载到卢浮宫“协助调查”的路上的一小段旁白。当时兰登正在看着车窗外的埃菲尔铁塔。
4、Jacques Saunière was considered the premiere goddess iconographer on earth.雅克·索尼埃被认为是全球有关女性崇拜图像符号学的第一专家。
这句话出现在书中20页第一行，作者简单说明了死者索尼埃生前在他的学术领域中享有的地位。
5、"Silas has located the keystone," the caller said. "It is in Paris. Within the Church of Saint-Sulpice."“塞拉斯已经知道拱顶石在什么地方了。”打电话的人说。“在巴黎。在圣叙尔皮斯教堂里。”
这段话在书上26页，神秘的导师给飞机上的阿洛加林沙打去了电话，告诉他计划的进展。
6、In his final moments of life, the curator had stripped off his clothing and arranged his body in a clear image of Leonardo da Vinci's Vitruvian Man.在生命的最后一刻，馆长脱光了衣服，明白无误地用自己的身体摆成了达·芬奇《维特鲁威人》的样子。
书上38页，作者用旁白的方式向读者们叙述了此刻兰登心中的想法。
7、SO DARK THE CON OF MAN.男人的欺骗是多么黑暗。
这是索菲在蒙娜丽莎脸上发现的她祖父索尼埃留下的信息。
8、Adorned in masters' loving art, She lies.她躺在大师们令人钟爱的杰作的怀抱里。
书中377页，兰登从心中发出的对卢浮宫的感叹。
9、The quest for the Holy Grail is the quest to kneel before the bones of Mary Magdalene. A journey to pray at the feet of the outcast one.圣杯在上，剑刃在下。剑刃和圣杯一道看护着她的门外。
最后一页383页，全书近尾处，对真正圣杯的描述。
10、For a moment, he thought he heard a woman's voice。 the wisdom of the ages。 whispering up from the chasms of the earth.好一会儿，兰登感觉他听到了一个女人的声音……在那些世纪里存留的智慧，从大地的裂口中，悄声响起。
全书的结尾句。这句也是自己译的。多有不妥，楼主见笑呵呵~~
2. 求一篇《达芬奇密码》的英文读书笔记
Try Putting This Book Down "Like the Arabian brotherhood of hashishim, the legendary Knights Templar waited for the Desired Knight to rescue the world from tyranny and establish the benevolent rule of the Grail."— Barbara G. Walker, The Women's Enclopedia of Myths and Secrets Whenever I read a 454 page book in one sitting, it's probably a safe bet for me to think that other people will like the book. Not that my criteria for excellence necessarily matches that of the literary masses -- but the words "breakout thriller" certainly apply here. Dan Brown's The Da Vinci Code is going to make publishing history. Trust me. There are already tables at the local Barnes & Nobles featuring books about the Freemasons, biographies of Leonardo Da Vinci, guidebooks to the Louvre and Renaissance art, all centered around Brown's book. And the book has been out less than two weeks. It's good, damn good. The Da Vinci Code has all the right ingredients to create a massive market share of the fiction sold during the next year. The characters are believable, the fictional premise intriguing, and it has two major components to insure sales -- the Knights Templar and the search for the Holy Grail. The book received the kind of "push" from Doubleday usually reserved for the likes of John Grisham and Daniel Steele. They're extremely pleased by the advance copy sales and overwhelming support of retailers for the book. Brown, who quietly moved from Pocket to his new publishing house Doubleday when senior editor Jason Kaufman, (publisher of Brown's two previous books) moved to there in 2001. Brown received a small advance, a boon to Doubleday who can now spend money on a literary show of force, pushing the book with sales incentives and an extensive advertising campaign. According to publishing pundits, many houses held back their spring releases because of the February 2nd laydown of John Grisham's latest King of Torts. Brown's book received a slam dunk response from advance copies to reviewers and booksellers sent out months ahead of publication (Doubleday gave out 5,000 advance reader copies at regional shows and in the field last year). Doubleday reps devoted themselves to making sure the book received prominent display space, something not usually reserved for breakout books. The house will even launch a website where readers can attempt to "break the code". Brown has also committed to a six-city promotion tour, but as the response for this book will probably multiply exponentially, I suspect he'll be going to more than six. When publishing houses throw books at us, often we, as reviewers are disappointed. The writing lacks substance; the plot fails to hold our interest; or perhaps the characters aren't fully developed. Then, after writing a review of the book, an honest take on what we consider an inferior book, we see the book on the New York Times Best Seller List. We can't help but wonder about the effect of massive advertising campaigns upon sales by the reading public. Take heart, reviewers and readers, The Da Vinci Code will be on the list and it belongs there. You all deserve a quick plot summary. Know that there can't be one here -- the book is a thriller and details will destroy it for you. I just had to delete the next 250 or more words I'd written, because I realized it would destroy the suspense in the book. I'd defined the Holy Grail in terms of Celtic, Moor (pick your pagan) traditions. Then I wrote about the myths surrounding the Knights Templar, the persecution of Jews, the relationship between Jesus and his love, Mary Magdalene, and more. What I can tell you without ruining the book, is that Brown's book takes myth and reality and combines it in just the right way. He appears to be right on target with his many of his conclusions, and while the book is "fiction", one can't help but believe much of it. Brown doesn't insist you believe him, in fact, he's almost apologetic about how strange and unusual his conclusions may sound. In a subtle way, he warns the reader that everyone is allowed their own belief system and whatever gives someone spiritual comfort should be respected. But Using Will and Ariel Durant's The History of Civilization, Francis and Joseph Gies' Women in the Middle Ages, and Barbara Walker's The Women's Encyclopedia of Myths and Secrets to confirm Brown's facts, I learned that when he puts two and two together, it's amazing what he comes up with. This book will have what is probably an unintentional effect. The Da Vinci Code counteracts the WalMart best sellers by Tim LaHaye. Brown presents an intellectual and fact-。
3. 达芬奇密码中的精彩语句
精彩对白
Robert Langdon: I'm into something here that I cannot understand. 罗伯特·兰登：我进入了一个无法理解的世界。
Sir Leigh Teabing: We are in the middle of a war. One that has been going on forever to protect a secret so powerful that if revealed it would devastate the very foundations of mankind. 李·提彬爵士：我们处于一场战争之中。我们必须坚守着一个秘密，这个秘密是如此重要，如果一旦泄露，那么整个人类的根基都会毁于一旦。
Sir Leigh Teabing:It`s called scotoma. The mind sees what it choose to see. 李·提彬爵士：这就是所谓的盲点，大脑只看到它选择看的东西。 Sir Leigh Teabing: You and I, Robert, we have observed history. We are in history now.Making it. 李·提彬爵士：你和我，罗伯特，我们都洞悉了历史。我们现在就是历史本身。创造历史。
Robert Langdon :They didn`t notice anything?Sir Leigh Teabing:Well,People rarely notice things right in front of theirs eyes. 罗伯特·兰登：他们什么也没看到？李·提彬爵士：大家都对眼前的事情视若无睹。
Robert Langdon :Maybe there is no proof. Maybe the Grail is lost forever. But,sophie,the only thing that matters is what you believe. 罗伯特·兰登：也许没有任何证据，也许永远找不到圣杯，但是重要的是你相信什么。
Robert Langdon :Why does it have to be human or divine? Maybe human is divine. Why couldn`t Jesus have been a father and still been capable of all those miracles？ 罗伯特·兰登：耶稣是人或神为什么这么重要？也许人就是神。耶稣为什么不能当父亲同时也做出那些奇迹？
Robert Langdon :Well,here`s the question: A living descendent of Jesus Christ,would she destroy faith? Or would she renew it? So again I say,what matters is what you believe. 罗伯特·兰登：唯一的问题是，耶稣基督活生生的后代她会摧毁基督教的信仰？或是加强这个信仰？我再强调这全要看你相信什么。
Sophie: Thank you. For bring me here. For letting him choose you.Sir Robert. 索菲：谢谢你。把我带到这里。让他选择你，罗伯特爵士。
4. 求英文版的达芬奇密码影评
《达芬奇密码》在成为电影之前并没有目前这般如此惹眼，最多是在各种图书销售排行榜上位居第一。
这部精彩的文学作品作为休闲时间的上佳读物确实有着非比寻常的阅读快感。自这部畅销小说将被改编为电影的消息变成重要的影界新闻以来，《达芬奇密码》终于成为一种大众的文化现象以超强的覆盖力弥漫于街头巷尾。
无论是否确实了解它，但只要提及这五个字就没有人宣称自己不知晓，最差的也要问问达芬奇到底怎么了？ 这部借用野史和传说作为悬疑铺垫的惊险小说在全球的影响力无与伦比。其中运用宗教传说将脍炙人口的大家以及闻名世界的艺术圣地同阴谋和权力联系一起极大的满足了大众的猎奇心理，同时为免去哗众取宠造谣生事的负面阴影又将各种科学理论和历史事件有条不紊的作为各种爆炸性信息的注脚及说明。
虽然这些只是小说的内容和素材，但最成功的是丹布朗先生绝妙的非凡的强大的逻辑组织能力，小说用惊险刺激的追踪旅程、步步为营的悬疑处理和耸人听闻的传说逸事营造出一种打开书页就无法放下的阅读神话。作为大众读物《达芬奇密码》游离在高尚与通俗之间似是而非成为文化亮点。
这本大众在读，权威接着读，全世界人民都在读，直到电影公司也在读的畅销书在成为电影之前并非如现在一般出众。作为一部电影，在上映前被全世界的宗教人士穷追猛打的现象并不是第一次。
但让人称奇的是，作为娱乐电影的《达芬奇密码》即将问世前夕，关于书背后的种种事件突然层出不穷，侵权、抄袭、官司、抵制、实地拍摄等等不亦乐乎，天降奇兵一般的种种说法在首映前夕如雨后春笋一般欲罢不能。这是电影作为第七艺术得天独厚的辐射能力还是制片公司未雨绸缪刻意而为？等到看过电影以后，等来的答案是后者。
好莱坞对于原著作品资源的再利用，将这个文化现象从头至脚的重新再包装。这种炒作的目的单纯又明确——保证票房，让产生兴趣的观众最大化的走进影院。
看电影的人实际上就只有两种，一种是读过原著，一种未读过。这两种人群坐在影院中各自找各自的乐趣。
朗霍华德极为聪明的让电影完全遵循于原著，着力将文字彻底的忠实的变为画面。《达芬奇密码》的故事性无形中帮助了电影的创作，如同剧本一般的原著的精彩度照搬足矣。
朗霍华德的《达芬奇密码》中规中矩，丝毫没有将个人风格融入电影之意，他只要把故事氛围营造出来就可以。读过原著的观众跟随情绪将脑海中的文字影像化，对应成为电影版的画面。
作为电影消费者，全片的意境和影像无功无过，基本可以成功更改个人脑海的影像。而已经知悉人物发展的观众只要等待剧情贴切的表现就大功告成。
只是原著小说中各种理论渊源实在难以在二小时内表述确凿，朗霍华德只能借助中世纪场景和演员的语言表达来达到目的，这方面是电影改编的天生弱点实在让人爱莫能助。而没有看过原著的观众势必会被精彩的剧情拖住，带着浓厚的兴趣等待最终的答案。
对于电影，只能讲是等待而已，绝非看小说时影影绰绰的推理可能。其实，看过电影找原著再看一次是许多人的想法。
朗霍华德在影片中添加了比原著更强的恐怖效果，这在所难免。作为电影表现手法即合乎了潮流因素（白化杀手），又躲避了影片的叙事困难，增强了观众对影像的认可元素。
除去恐怖效应的增强，朗霍华德最成功的避免了动作场景的出现。这个举动在眼下的流行潮流中不讨巧，但不会冲淡影片谜团一般的韵味，保持了稳定的节奏感。
可对于里外都不甚了解的观众来说有些失望，影片的架势和味道都带着一种标准娱乐的情绪，让人不得不有所联想。 个人认为朗霍华德导演拍摄本片有着郁闷之处。
他的作品中故事性都不是很强，而往往通过对主人公心理的成功塑造来达到强大的说服力和戏剧张力，《阿波罗13》和《美丽心灵》以及《铁拳男人》就是成功的范例。但是在《达芬奇密码》中他根本没有实现这种优势的可能，这种用情节取悦观众的电影是很难塑造个性十足的形象的。
更何况影片超强的演员阵容完全是应景产物。汤姆汉克斯的号召力自不用说，把法国在世界上最具号召力的奥黛丽多杜和让雷诺一网打尽就可以解释为保证影片成功的超强砝码。
而这些演技派明星基本如同跑龙套一样出没在《达芬奇密码》中，无功无过的效果却让影迷产生逆反心理，成就了影片的压力。我从没想过汤姆汉克斯的样子会是教授的模样，好生纳闷了一番。
事实也是汤姆汉克斯只是将对女人的风度有所表现，而博学和高智商的神韵都没有让人达到期望。相对于主角而言白化杀手的形象很是抢眼，但只能归功于近乎限制级的肢体语言给人一种抢眼感而已。
原著中唯一具备大量心理描述的白化杀手是命运坎坷的牺牲品，戏剧冲突本应更为透彻和震撼。而在影片中保罗贝坦尼虽然表现惊艳，但角色的心理变化和命运感却不是很清晰。
本片超强的阵容并没有带来惊喜的表现，这只能怪罪于制片的市场策略。有时候众多的口碑良好的大明星也只能混个脸熟却无法发挥，倒不如找些小明星来得好。
《达芬奇密码》整体水平无功无过，实属水准一般之作。在大家蜂拥而入影院以后，关于《达芬奇密码》文化的市场效应就显而。
5. 求英文的简短的《达芬奇密码》的英文故事介绍
Plot summary This book concerns the attempts of Robert Langdon, Professor of Religious Symbology at Harvard University, to solve the murder of renowned curator Jacques Saunière (see Bérenger Saunière) of the Louvre Museum in Paris. The title of the novel refers, among other things, to the fact that Saunière's body is found in the Denon Wing of the Louvre naked and posed like Leonardo da Vinci's famous drawing, the Vitruvian Man, with a cryptic message written beside his body and a Pentagram drawn on his stomach in his own blood. The interpretation of hidden messages inside Leonardo's famous works, (which relate to the concept of the Sacred feminine) including the Mona Lisa and The Last Supper, figure prominently in the solution to the mystery. Vitruvian Man, by Leonardo da Vinci.The main conflict in the novel revolves around the solution to two mysteries: What secret was Saunière protecting that led to his murder? Who is the mastermind behind his murder and the murder of the three other sénéchaux (keepers of the secrets of the grail)? The novel has several concurrent storylines that follow different characters throughout different parts of the book (DVC chapter summaries). Eventually all the storylines and characters are brought together and resolved in its denouement. The unraveling of the mystery requires the solution to a series of brain-teasers, including anagrams and number puzzles. The solution itself is found to be intimately connected with the possible location of the Holy Grail and to a mysterious society called the Priory of Sion, as well as to the Knights Templar. The story also involves the Catholic organization Opus Dei. The novel is the second book of a trilogy by Brown in which Robert Langdon is the main character. The previous book, Angels and Demons, took place in Rome and concerned the Illuminati. Although Angels and Demons is centered on the same character it is not necessary to read the book in order to understand the plot of The Da Vinci Code. The next book is tentatively scheduled for release in 2007. Its working title is The Solomon Key, and it is understood to concern Freemasonry.。
